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But that transformation doesn’t come easy. He’s grounded, a plant slowly transforming into the sunflower it’s destined to become. In Flower Boy we see, arguably for the first time, Tyler speaking to the challenges of nurturing and sustaining love not only for himself but for potential partners. In that journey Tyler has also become more comfortable writing about love earnestly. This is him offering his most emotionally mature self, a 26-year-old who’s grown up in the public eye for the last several years from rabble-rousing provocateur to multidisciplinary creative. There’s an underlying poignancy throughout the release as Tyler grapples with fame and how it’s transformed his life–for better or worse. On Wolf he imagined how a phone call to his father would go on “Answer” and he explored the intense range of emotions one feels while in love on “IFHY” and he talks about seeing his grandmother slowly succumb to death in the album’s last song “Lone.” And although at times Cherry Bomb was messy, the album still showcased Tyler’s growth as an artist and, more importantly, a person.Īll of that has culminated into Scum Fuck Flower Boy, a beautifully executed album that is Tyler’s best work thus far. The subversiveness that accompanied Tyler’s music was slowly disappearing, with the artist offering an earnestness that was bare in its expression. Love was the last thing anybody was associating with the Odd Future founder even songs such as “Sarah,” “She,” and “Analog” with its common themes of love and intimacy, were distorted by perversion and violence.
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He rolled his eyes backwards he rapped about murder, necrophilia, rape, and a handful of other themes that led to some categorizing his music as horror-core and he ate a cockroach. When we first learned of Tyler, the Creator, he was an enigma.
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One moment Tyler is telling us his secret for maintaining beautiful and glowing black skin (Chanel, coconut oil, and a drop top for best results) the next, how he’s “been kissing white boys since 2004.” There’s an openness present in this album unlike its predecessors.
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I’m always busy and usually behind on deadlines, but this seemed like a great opportunity that I didn’t want to pass up so I agreed to do it and I’m very glad I did.Love is a theme that resonates throughout Flower Boy both for the self and others. “I’d been a fan of Tyler since the Odd Future days and I saw them play in New York in 2011. He’s still never seen the finished piece in person.” On why he wanted to get involved: There was a little bit of fine-tuning after that, but once we got to a place where he was satisfied with it he left me alone until the painting was done. There was a lot of back and forth over text and on the phone for a few weeks, and when I had finished a pretty elaborate comp he came over to take a look. We met in person initially to discuss his ideas for the project and he showed me some sketches he had done and a few photos he liked which evoked the mood he was going for. “Once his manager made the intro Tyler and I were in direct communication. You can read some of the highlights from the interview below, and head over to the It’s Nice That site if you want to check out the whole conversation. Eric White recently sat down with It’s Nice That to discuss his beginnings as an artist and what it was like to work with Tyler on the Flower Boy cover. One of those covers was designed by the rapper himself, but it was the other, by artist Eric White, that has emerged as the official album artwork. When Tyler, The Creator first announced his highly anticipated Flower Boy album back in July, he teased two album covers.